Lately, I keep having the same conversation with other trans artists and activists who were around in the early 2000s. I always tell them that their work inspired me and helped me to see trans life in all its complexity and weirdness—and often, they reply that they feel like their stuff has aged badly, or the terms of the debate have changed, or trans culture has moved on. The art they were making back then feels dated, or actually wrong or harmful, when you look at it now.
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